Prior to class this week, we were required to read articles that Mr
Martin has selected for us and complete a quiz. Here are the results
of said quiz:
Asynchronous class reflection
Shot size, camera angle, and composition are crucial elements in visual
storytelling in film, television, and other media. Shot size refers to the
visible space within a single frame, while camera angle is the position of
the camera relative to the subject.
These elements can convey different information, emotions, or
perspectives. Composition, on the other hand, involves the arrangement of
visual elements within a shot or frame, such as character placement,
color. lighting, and overall image balance.
These elements are essential tools for filmmakers and visual
storytellers.
In class exercise
In class editing exercise:
- Download footage
Fig 1.1 Video clips provided
- Create a new premier pro project
- Import footage into premier pro
Fig 1.2 Imported footage
- Arrange shots on timeline with proper order
Fig 1.3 Arranged shot on timeline
- Export video
Independent learning exercise:
- Download footage
Fig 1.4 Downloaded footage
- Create a new premier pro project
- Import footage into premier pro
Fig 1.5 Imported footage
- Arrange shots on timeline with proper order
Fig 1.6 Footage arranged on timeline
- Export video
Week 2:
Quiz results
Prior to this weeks class, we again had to do a quiz based on the
articles and information provided by Mr. Martin. Here are the results of
said quiz:
Asynchronous class reflection
The three-act story structure is a popular narrative framework in film
and literature, consisting of three parts: The setup, the confrontation,
and the resolution.
- The setup: Involves setting the protagonist's world and causing a
significant problem
- The confrontation: Involves facing obstacles and challenges, often
divided into two parts.
- The resolution: Its the climax, where the protagonist must overcome
their final challenge to achieve their goal.
This structure provides a clear and effective framework for
storytelling, allowing writers to create engaging and well-structured
narratives that resonate with audiences.
In class exercise
Shooting exercise
During this week, we were required to take videos of ourselves using
the framing list below
3/4 angling MCU shot:
Frontal MS:
Side angle MS:
Eye-level MW shot:
Low angle WS:
Frontal MCU:
We getting up close and personal now 😣
CU:
ECU:
Video compiled:
Lalin
We were also given an exercise where we had to edit a video that Mr.
Martin provided. We had to cut and stitch together the different videos to
follow the storyboard that was provided.
Google drive folder
After downloading the folder, I opened the storyboards.
Storyboard 1
Storyboard 2
I then spliced the part that was needed for the timeline.
Spliced part of the video
I then proceed to arrange the videos in sequence according to the
storyboard.
Timeline
We were then required to transition these two videos to show that NUT
disappears from frame
Videos transitioned
After compiling and making sure the video flowed well, I used the graphics
as well as the sound clip of phone notifications to finish up the
video.
This was the final timeline:
Final timeline
Final output:
Week 3:
Quiz results
We were given a quiz to do before class. Here are the results of the quiz
on storyboard:
Asynchronous class questions
We were also quizzed on the short film we were required to watch and
replicate last week called "Lalin", as well as the award winning movie
"Everything everywhere all at once"
The questions asked were:
1. Which part is act 1, act 2, act 3 respectively? Describe each act
with ONE paragraph only.
2. What is the inciting incident in the movie?
3. What is the midpoint scene in the movie?
4. What is the Climax scene in the movie?
5.What is the theme of the movie?
Lalin
1.Acts description:
Act 1: The film introduces Lalin, a Thai girl who moves to Japan for
her studies. We see her navigating a new life while building her
online presence on Instagram. Despite her growing popularity, this act
establishes her inner turmoil and dissatisfaction with her appearance,
hinting at a disconnection between her online persona and her real
self.
Act 2: In this act, Lalin's obsession with maintaining her image
escalates, fueled by her increasing popularity. Here, we are also
introduced to her love interest. Throughout this act, it is shown that
it develops but also becomes a strain as Lalin prioritises her curated
images over genuine connection. This tension highlights her internal
conflict and emotional toll of living a lie, ultimately pushing her to
confront the truth about herself
Act 3: The final act focuses on Lalin's journey toward
self-acceptance. After an emotional confrontation with her love
interest, who encourages her to be authentic, Lalin begins to
recognize the importance of embracing her true self. The climax occurs
when she chooses to break free from her fabricated online persona,
leading to a transformative moment that strengthens her relationship
with her love interest and allows her to seek genuine
connections.
2. Inciting incident:
The inciting incident occurs when Lalin discovers her growing popularity
on Instagram after moving to Japan.
3. Midpoint Scene:
The midpoint scene features Lalin experiencing a moment of clarity during
a pivotal confrontation with her reality. This internal struggle marks a
significant turning point in her character arc.
4. Climax Scene:
The climax scene unfolds when Lalin faces a major crisis stemming from
her obsessive need for validation. In this part, Lalin had to choose
between her online presence and embracing her true self.
5. Theme of the Movie:
The central theme of this short film revolves around the struggles of
self-acceptance in a world dominated by superficiality. It highlights the
pressure to conform to unrealistic beauty standards. It also shows the
emotional toll it takes to navigate their identities in the digital
age.
Everything everywhere all at once
1. Acts description
Act 1: The film introduces Evelyn Wang, a Chinese American woman who runs
a struggling laundromat with her husband, Waymond. Amidst their mundane
life and familial problems, including dealing with her aging father and
daughter, Joy, Evelyn learns that she must confront her own failures and
insecurities. The inciting incident occurs when she discovers the ability
to access the multiverse, a revelation that sets her on a journey beyond
her ordinary life.
Act 2: In this act, Evelyn is thrust into a chaotic battle against a
powerful multiversal antagonist, Jobu Tupaki, who is revealed later on to
be an alternate version of her daughter, Joy. As she navigates the various
alternate realities, Evelyn grapples with her regrets and choices,
experiencing both absurdity and danger. This act highlights her strained
relationships, particularly with Joy, as the stakes escalate, and Evelyn
begins to understand the weight of her decisions across the
multiverse.
Act 3: In the final act, it is a culmination of confrontations between
Evelyn and Jobu, where Evelyn must embrace her flaws and choices to save
her daughter and herself. She realizes the importance of love and
acceptance over the chaos of choices. The resolution sees Evelyn forging a
deeper connection with her daughter, choosing to be present and supportive
in their relationship, ultimately transforming both their lives
2. Inciting Incident:
The inciting incident occurs when Evelyn discovers the existence of the
multiverse during a tax audit at the IRS. This revelation sets up the rest
of the movie.
3. Midpoint scene:
The midpoint scene happens when Evelyn begins to harness her newfound
abilities, jumping between them and experiencing various versions of
herself. This is when she gains insight into her own life choices and
consequences.
4. Climax scene:
The climax scene occurs during the confrontation between Evelyn and Jobu.
This emotional battle leads Evelyn to embrace her imperfections and
express unconditional love.
5. Theme of the movie:
The central theme revolves around the exploration of identity, the
complexity of relationships, the significance of choices and consequences
in shaping ones life. The film delves into the chaos of existence and
emphasizes the importance of love, acceptance and being present in the
moment even amidst overwhelming uncertainty.
Week 4
Quiz results
Asynchronous class reflection
During this week, we were taught about storyboards.
A storyboard is a visual representation of a film, animation, or video
game, used to pre-visualize a sequence of images. It helps plan shots,
understand narrative flow, and communicated ideas to the production
team.
Storyboarding is crucial in pre-production, allowing filmmakers to
experiment with visual approaches, identify problems, and make
adjustments before filming.
Storyboards consist off:
Drawings, sketches, drafts or photographs to represent each
frame
A description of the shot
Shot specs - shot size, lens length, two shot, etc
Arrow to indicate camera or/character movement or how each shot
connects to the next.
Fig 1.1.1 Storyboard example
Class exercises
We were provided with a storyboard template and were required to fill out
the required information regarding the scene that Mr Martin gave.
Week 5
Quiz results
Asynchronous class reflection
The production stages in filmmaking are pre-production, production, and
post-production. Pre-production involves planning and preparing for
filming, including script writing, storyboard creation, and acting
casting.
Production involves filming, capturing footage using pre-production
plans. Post-production involves editing and assembling footage into a
final product, requiring attention to detail and storytelling.
Additional stages like distribution and marketing are not considered part
of the production process.
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